http://www.hackteria.org/wiki/api.php?action=feedcontributions&user=Halfjavanese&feedformat=atomHackteria Wiki - User contributions [en]2024-03-28T19:55:05ZUser contributionsMediaWiki 1.28.0http://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11135HackteriaLab 2014 Participants2014-04-16T02:14:55Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries | Host BPR */</p>
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<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
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HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
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=== Hans Muster ===<br />
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''(please fill it out like this)''<br />
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Interests:<br />
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Short Bio: isch en geile siech<br />
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* http://links.internet<br />
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==Maillist ==<br />
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And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
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<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
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=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
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Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
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* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
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=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
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Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
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* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
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Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
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* http://karkhana.asia/<br />
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=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
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Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
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=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
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* http://andreassiagian.wordpress.com/<br />
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=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
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Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
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In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
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* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
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=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
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* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
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=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
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=== Kristi Maya Dewi Monfries | Host BPR===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
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Kristi has curated a variety of projects which include The Instrument Builders Project Stage 1 and Stage 2, TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
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* http://tropisubsonics.tumblr.com<br />
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=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
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Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
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* http://transitlab.org<br />
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=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
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Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
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* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
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=== Enin Supriyanto ===<br />
Interests:<br />
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Short Bio:<br />
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*Links<br />
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=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
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Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
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* http://spelapetric.org/<br />
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=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
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Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
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* http://julianabraham.net/<br />
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=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
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* http://akbar.blog.ugm.ac.id/<br />
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=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
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Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
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* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
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=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
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* http://ur-institute.org/<br />
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=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
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* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
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=== Suparmin Ahmad ===<br />
Interests:<br />
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Short Bio: UGM Microbiology Lab, Yogyakarta<br />
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* http://links.internet<br />
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=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
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Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
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* http://www.little-object.com<br />
* http://playaround.cc<br />
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=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
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Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
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* http://peiyinglin.net<br />
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=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
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Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
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* https://nus.academia.edu/DenisaKera<br />
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=== Martin Malthe Borch ===<br />
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Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
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Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
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Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
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*http://dk.linkedin.com/in/mmborch/<br />
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=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
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=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
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* http://ferialperformance.blogspot.com<br />
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=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
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Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
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Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
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* http://piavangelder.com<br />
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=== Helmi Hardian ===<br />
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Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
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Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
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* http://waft-lab.com/<br />
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=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
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Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
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*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
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=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
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* http://michaelcandy.com<br />
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=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
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* http://urbancult.net/<br />
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=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
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* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
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=== Yusra Martunus ===<br />
Interests:<br />
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Short Bio:<br />
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*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
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=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
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Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
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*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
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=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
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Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
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* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
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=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
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Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
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Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
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Short Bio:<br />
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*http://xcodefilms.com<br />
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=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
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*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11134HackteriaLab 2014 Participants2014-04-16T02:05:50Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries Host BPR */</p>
<hr />
<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
<br />
=== Hans Muster ===<br />
<br />
''(please fill it out like this)''<br />
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Interests:<br />
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Short Bio: isch en geile siech<br />
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* http://links.internet<br />
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==Maillist ==<br />
<br />
And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
<br />
<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
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=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
<br />
Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
<br />
* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
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=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
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Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
<br />
* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
<br />
Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
<br />
* http://karkhana.asia/<br />
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=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
<br />
Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
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* http://andreassiagian.wordpress.com/<br />
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=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
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Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
<br />
In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
<br />
* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
<br />
=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
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* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
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=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
<br />
=== Kristi Maya Dewi Monfries | Host BPR===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
<br />
Kristi has curated a variety of projects which include TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
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* http://volcanicwinds.com<br />
* http://tropisubsonics.tumblr.com<br />
<br />
=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
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Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
<br />
* http://transitlab.org<br />
<br />
=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
<br />
Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
<br />
* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
<br />
=== Enin Supriyanto ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
<br />
Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
<br />
* http://spelapetric.org/<br />
<br />
=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
<br />
Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
<br />
* http://julianabraham.net/<br />
<br />
=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
<br />
Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
<br />
* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
<br />
=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
<br />
* http://ur-institute.org/<br />
<br />
=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
<br />
* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
<br />
=== Suparmin Ahmad ===<br />
Interests:<br />
<br />
Short Bio: UGM Microbiology Lab, Yogyakarta<br />
<br />
* http://links.internet<br />
<br />
=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
<br />
Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
<br />
Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
<br />
* http://peiyinglin.net<br />
<br />
=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
<br />
Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
<br />
* https://nus.academia.edu/DenisaKera<br />
<br />
=== Martin Malthe Borch ===<br />
<br />
Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
<br />
Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
<br />
Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
<br />
*http://dk.linkedin.com/in/mmborch/<br />
<br />
=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
<br />
=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
<br />
* http://ferialperformance.blogspot.com<br />
<br />
=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
<br />
Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
<br />
Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
<br />
* http://piavangelder.com<br />
<br />
=== Helmi Hardian ===<br />
<br />
Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
<br />
Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
<br />
* http://waft-lab.com/<br />
<br />
=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
<br />
=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
<br />
* http://michaelcandy.com<br />
<br />
=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
<br />
* http://urbancult.net/<br />
<br />
=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
<br />
=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
<br />
=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
<br />
Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
<br />
Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
<br />
=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11133HackteriaLab 2014 Participants2014-04-16T02:05:29Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries | Host */</p>
<hr />
<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
<br />
=== Hans Muster ===<br />
<br />
''(please fill it out like this)''<br />
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Interests:<br />
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Short Bio: isch en geile siech<br />
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* http://links.internet<br />
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==Maillist ==<br />
<br />
And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
<br />
<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
<br />
Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
<br />
* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
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=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
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Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
<br />
* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
<br />
Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
<br />
* http://karkhana.asia/<br />
<br />
=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
<br />
Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
<br />
* http://andreassiagian.wordpress.com/<br />
<br />
=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
<br />
Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
<br />
In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
<br />
* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
<br />
=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
<br />
* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
<br />
=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
<br />
=== Kristi Maya Dewi Monfries Host BPR===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
<br />
Kristi has curated a variety of projects which include TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
<br />
* http://volcanicwinds.com<br />
* http://tropisubsonics.tumblr.com<br />
<br />
=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
<br />
Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
<br />
* http://transitlab.org<br />
<br />
=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
<br />
Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
<br />
* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
<br />
=== Enin Supriyanto ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
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=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
<br />
Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
<br />
* http://spelapetric.org/<br />
<br />
=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
<br />
Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
<br />
* http://julianabraham.net/<br />
<br />
=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
<br />
Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
<br />
* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
<br />
=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
<br />
* http://ur-institute.org/<br />
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=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
<br />
* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
<br />
=== Suparmin Ahmad ===<br />
Interests:<br />
<br />
Short Bio: UGM Microbiology Lab, Yogyakarta<br />
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* http://links.internet<br />
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=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
<br />
Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
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=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
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Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
<br />
* http://peiyinglin.net<br />
<br />
=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
<br />
Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
<br />
* https://nus.academia.edu/DenisaKera<br />
<br />
=== Martin Malthe Borch ===<br />
<br />
Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
<br />
Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
<br />
Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
<br />
*http://dk.linkedin.com/in/mmborch/<br />
<br />
=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
<br />
=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
<br />
* http://ferialperformance.blogspot.com<br />
<br />
=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
<br />
Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
<br />
Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
<br />
* http://piavangelder.com<br />
<br />
=== Helmi Hardian ===<br />
<br />
Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
<br />
Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
<br />
* http://waft-lab.com/<br />
<br />
=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
<br />
=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
<br />
* http://michaelcandy.com<br />
<br />
=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
<br />
* http://urbancult.net/<br />
<br />
=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
<br />
=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
<br />
=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
<br />
Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
<br />
Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
<br />
=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11132HackteriaLab 2014 Participants2014-04-16T01:58:47Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries */</p>
<hr />
<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
<br />
=== Hans Muster ===<br />
<br />
''(please fill it out like this)''<br />
<br />
Interests:<br />
<br />
Short Bio: isch en geile siech<br />
<br />
* http://links.internet<br />
<br />
==Maillist ==<br />
<br />
And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
<br />
<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
<br />
Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
<br />
* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
<br />
=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
<br />
Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
<br />
* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
<br />
Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
<br />
* http://karkhana.asia/<br />
<br />
=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
<br />
Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
<br />
* http://andreassiagian.wordpress.com/<br />
<br />
=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
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Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
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In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
<br />
* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
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=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
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* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
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=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
<br />
=== Kristi Maya Dewi Monfries ===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
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Kristi has curated a variety of projects which include TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
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* http://volcanicwinds.com<br />
* http://tropisubsonics.tumblr.com<br />
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=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
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Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
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* http://transitlab.org<br />
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=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
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Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
<br />
* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
<br />
=== Enin Supriyanto ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
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=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
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Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
<br />
* http://spelapetric.org/<br />
<br />
=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
<br />
Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
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* http://julianabraham.net/<br />
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=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
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* http://akbar.blog.ugm.ac.id/<br />
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=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
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Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
<br />
* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
<br />
=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
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* http://ur-institute.org/<br />
<br />
=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
<br />
* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
<br />
=== Suparmin Ahmad ===<br />
Interests:<br />
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Short Bio: UGM Microbiology Lab, Yogyakarta<br />
<br />
* http://links.internet<br />
<br />
=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
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Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
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* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
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Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
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* http://peiyinglin.net<br />
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=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
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Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
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* https://nus.academia.edu/DenisaKera<br />
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=== Martin Malthe Borch ===<br />
<br />
Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
<br />
Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
<br />
Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
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*http://dk.linkedin.com/in/mmborch/<br />
<br />
=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
<br />
=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
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* http://ferialperformance.blogspot.com<br />
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=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
<br />
Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
<br />
Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
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* http://piavangelder.com<br />
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=== Helmi Hardian ===<br />
<br />
Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
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Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
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* http://waft-lab.com/<br />
<br />
=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
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*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
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=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
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* http://michaelcandy.com<br />
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=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
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* http://urbancult.net/<br />
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=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
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=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
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=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
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Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
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* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
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Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
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Short Bio:<br />
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*http://xcodefilms.com<br />
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=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
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*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11131HackteriaLab 2014 Participants2014-04-16T01:57:15Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries */</p>
<hr />
<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
<br />
=== Hans Muster ===<br />
<br />
''(please fill it out like this)''<br />
<br />
Interests:<br />
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Short Bio: isch en geile siech<br />
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* http://links.internet<br />
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==Maillist ==<br />
<br />
And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
<br />
<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
<br />
Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
<br />
* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
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=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
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Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
<br />
* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
<br />
Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
<br />
* http://karkhana.asia/<br />
<br />
=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
<br />
Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
<br />
* http://andreassiagian.wordpress.com/<br />
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=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
<br />
Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
<br />
In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
<br />
* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
<br />
=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
<br />
* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
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=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
<br />
=== Kristi Maya Dewi Monfries ===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
<br />
Kristi has curated a variety of projects which include TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia co-curated by Kristi Monfries and Georgie Sedgwick—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
<br />
* http://volcanicwinds.com<br />
* http://tropisubsonics.tumblr.com<br />
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=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
<br />
Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
<br />
* http://transitlab.org<br />
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=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
<br />
Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
<br />
* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
<br />
=== Enin Supriyanto ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
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=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
<br />
Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
<br />
* http://spelapetric.org/<br />
<br />
=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
<br />
Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
<br />
* http://julianabraham.net/<br />
<br />
=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
<br />
Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
<br />
* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
<br />
=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
<br />
* http://ur-institute.org/<br />
<br />
=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
<br />
* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
<br />
=== Suparmin Ahmad ===<br />
Interests:<br />
<br />
Short Bio: UGM Microbiology Lab, Yogyakarta<br />
<br />
* http://links.internet<br />
<br />
=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
<br />
Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
<br />
Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
<br />
* http://peiyinglin.net<br />
<br />
=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
<br />
Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
<br />
* https://nus.academia.edu/DenisaKera<br />
<br />
=== Martin Malthe Borch ===<br />
<br />
Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
<br />
Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
<br />
Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
<br />
*http://dk.linkedin.com/in/mmborch/<br />
<br />
=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
<br />
=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
<br />
* http://ferialperformance.blogspot.com<br />
<br />
=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
<br />
Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
<br />
Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
<br />
* http://piavangelder.com<br />
<br />
=== Helmi Hardian ===<br />
<br />
Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
<br />
Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
<br />
* http://waft-lab.com/<br />
<br />
=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
<br />
=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
<br />
* http://michaelcandy.com<br />
<br />
=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
<br />
* http://urbancult.net/<br />
<br />
=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
<br />
=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
<br />
=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
<br />
Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
<br />
Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
<br />
=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
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===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
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===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
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===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
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===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
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===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11130HackteriaLab 2014 Participants2014-04-16T01:56:35Z<p>Halfjavanese: /* Kristi Maya Dewi Monfries */</p>
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<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
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HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
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=== Hans Muster ===<br />
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''(please fill it out like this)''<br />
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Interests:<br />
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Short Bio: isch en geile siech<br />
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* http://links.internet<br />
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==Maillist ==<br />
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And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
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<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
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=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
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Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
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* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
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=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
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Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
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* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
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Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
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* http://karkhana.asia/<br />
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=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
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Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
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=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
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* http://andreassiagian.wordpress.com/<br />
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=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
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Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
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In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
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* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
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=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
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* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
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=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
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=== Kristi Maya Dewi Monfries ===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
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Kristi has worked on a many projects between Australia and Indonesia which included TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia co-curated by Kristi Monfries and Georgie Sedgwick—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art, Australia, Films/Video Experimental film and video, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij - Rotterdam, Netherlands<br />
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* http://volcanicwinds.com<br />
* http://tropisubsonics.tumblr.com<br />
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=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
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Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
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* http://transitlab.org<br />
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=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
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Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
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* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
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=== Enin Supriyanto ===<br />
Interests:<br />
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Short Bio:<br />
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*Links<br />
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=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
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Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
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* http://spelapetric.org/<br />
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=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
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Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
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* http://julianabraham.net/<br />
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=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
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* http://akbar.blog.ugm.ac.id/<br />
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=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
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Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
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* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
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=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
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* http://ur-institute.org/<br />
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=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
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* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
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=== Suparmin Ahmad ===<br />
Interests:<br />
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Short Bio: UGM Microbiology Lab, Yogyakarta<br />
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* http://links.internet<br />
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=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
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Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
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* http://www.little-object.com<br />
* http://playaround.cc<br />
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=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
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Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
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* http://peiyinglin.net<br />
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=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
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Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
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* https://nus.academia.edu/DenisaKera<br />
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=== Martin Malthe Borch ===<br />
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Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
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Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
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Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
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*http://dk.linkedin.com/in/mmborch/<br />
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=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
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=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
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* http://ferialperformance.blogspot.com<br />
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=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
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Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
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Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
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* http://piavangelder.com<br />
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=== Helmi Hardian ===<br />
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Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
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Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
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* http://waft-lab.com/<br />
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=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
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Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
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*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
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=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
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* http://michaelcandy.com<br />
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=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
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* http://urbancult.net/<br />
<br />
=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
<br />
=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
<br />
=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
<br />
Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
<br />
Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
<br />
=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_Participants&diff=11129HackteriaLab 2014 Participants2014-04-16T01:55:11Z<p>Halfjavanese: </p>
<hr />
<div><- back to main page of [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
HLab14 paricipants are from Croatia, Slovenia, US, UK, Singapore, Denmark, Spain, Australia, Nepal, India, Taiwan, Japan, Nederland, Switzerland, Chile, and several regions of Indonesia. See details below: <br />
<br />
=== Hans Muster ===<br />
<br />
''(please fill it out like this)''<br />
<br />
Interests:<br />
<br />
Short Bio: isch en geile siech<br />
<br />
* http://links.internet<br />
<br />
==Maillist ==<br />
<br />
And please all make sure you are on the HLab14 maillist for further discussions http://lists.hackteria.org/cgi-bin/mailman/listinfo/lab2014<br />
<br />
<br />
==Participant List in progress==<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
=== Urs Gaudenz ===<br />
Interests: "Community of learners", create an intense international hack learning lab.<br />
<br />
Short Bio: Urs Gaudenz is microengineer and founder of GaudiLabs. He worked for Swiss high tech companies in the field of micro sensor technology and brushless motor control. With his solid background in electronics, mechanics and software he is working in a concurrent style between the disciplines. After several years of experience as a consultant in innovation management he is now engaged as lecturer for product innovation at the Lucerne University of Applied Science and Arts. His aim is to evolve towards more balanced collaborative entities in social action, business and technology.<br />
<br />
* http://gaudi.ch/GaudiLabs/<br />
* http://www.youtube.com/user/MrGaudiCH<br />
* https://www.facebook.com/mrgaudi<br />
<br />
=== Dipeshwor Man Shrestha ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, making South Park illustrations of friends using Inkscape <br />
<br />
Short Bio: Dipeshwor is an Electronics engineer from Nepal who loves making and tinkering. He’s the co-founder of Karkhana, an education company that designs hands on curriculum based on STEAM (Science, Technology, Engineering, Arts and Maths). He teaches students from grades 6 to 9 and is a believer in ‘learning by doing’. <br />
<br />
* http://karkhana.asia/<br />
* http://dipeshwor.com.np/<br />
=== Ajaya Maharjan ===<br />
Interests: hardware programming, tech arts, using power tools, project based learning, doing unusual projects. <br />
<br />
Short Bio: Ajaya is an electronics engineer from Nepal who loves making and tinkering. He works in an education company called Karkhana. He is a teacher. He currently designs and develops PBL (Project Based Learning) curriculum for middle school children in Kathmandu. <br />
<br />
* http://karkhana.asia/<br />
<br />
=== Dr. Marc Dusseiller | Co-Organizer / Researcher-in-Residence === <br />
Interests: Daphnia-Hacking, Euglena burgers, BioElectronics, low-cost diagnostics, building DIWO community bio-labs<br />
<br />
Short Bio: [http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
=== Andreas Siagian | Host / Co-Organizer ===<br />
Andreas Siagian is an artist, engineer and internet troll, a cross disciplinary artist with an engineering background focusing on creative communities, alternative education, DIY/DIWO culture and interdisciplinary collaboration in art, science and technology. Since 2004, he is working in community-base initiatives to produce installations, workshops, lectures and organizing events as well as festivals in Indonesia. His collaborative actions with the local creative community developments included him as a co-founder of several initiatives such as [http://breakcorelabs.wordpress.com breakcore_LABS], a platform for experimental audiovisual performance; [http://urbancult.net urbancult.net], an online street art documentation and mapping for Indonesia and [http://lifepatch.org lifepatch.org – citizen initiative for art, science and technology], an independent community-based organization working in creative and appropriate application in the fields of art, science and technology.<br />
<br />
* http://andreassiagian.wordpress.com/<br />
<br />
=== Robertina Sebjanic ===<br />
Interests: building DIWO community bio-labs / algae / hydra / jellyfish / ferrofluids / bubbles / lo-fi electronic music/ sensors / diy electronics & function of basic components / sound / glitches / microfluidics / sci fi / regenerative medicine / biological immortality / regeneration ....<br />
<br />
Short Bio: Robertina explores in her project's various media as video, sound, wet ware and more broadly conceived cross media within the context of new media / contemporary art practice. The context of her ideas and concepts is often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodied in her work. She had numerous solo, group exhibitions, performances around globe. Robertina is a member of experimental AV group Theremidi Orchestra.<br />
<br />
In 2013 she was a co-organiser of the HacteriaLab Bangalore. In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana where she was between 2008 and 2012 programme manager /head of art and educational activities. Since 2013 she works as a mission and programme developer at KSEVT.<br />
<br />
* http://wiki.ljudmila.org/Uporabnik:Robertina<br />
* https://vimeo.com/robertina<br />
* http://wiki.ljudmila.org/Theremidi_Orchestra<br />
<br />
=== Grace Samboh | Host / Curator ===<br />
Grace Samboh (b. Jakarta, Indonesia, 1984) veered away from her undergraduate degree in advertising and graduated her master from the Visual Art Studies program at Gadjah Mada University’s Graduate School (2009). She started her interest in the arts at ruangrupa, an artist-collective based in Jakarta. In 2009, Indonesian Visual Art Archive (IVAA) commissioned her to curate the “21 Years Retrospective of Jogja Biennale” as one of the archive-based shows at the Jogja Biennale IX – Jogja Jamming (2009). She participated in the making of Langgeng Art Foundation (2010-2011) as the executive director/curator and did 10 shows with the executive team; five of those shows were designed as the main platform of exhibitions in the foundation. In 2011, with two of her colleagues, she initiated Hyphen, a closed discussion group that has now evolved into a research collective for Indonesian contemporary arts.<br />
<br />
* http://hyphen.web.id/<br />
* http://sambohgrace.wordpress.com/<br />
<br />
=== Agus Tri Budiarto aka Timbil | Host ===<br />
Agus ‘Dik Titim’ Tri Budiarto is a farmer, scientist and yoga master. He graduated from University of National Development Veteran (UPN-Veteran) majoring in chemical engineering. He has been active with local community practices of Yogyakarta since 2003, focussing his activities as a citizen scientist concerning local ecology issues and biopunk movements. He is the co-creator of IB:SC, an art and scicence collaboration project on safe ethanol fermentation method with Microbiology Department UGM which receive the Transmediale awards in 2011. In 2012 he co-founded lifepatch an interdisciplinay community-base organization focussing on art, science and technology.<br />
<br />
=== Kristi Maya Dewi Monfries ===<br />
Kristi Monfries is an Australian/Indonesian curator and arts manager with a specific interest in cross-disicplianry art practice. Her recent work has focused on innovative projects that connect Australian and Indonesian artists through collaborative creative development and outcomes. She has been working from Indonesia since 2009 and is based in Yogyakarta.<br />
<br />
Kristi has worked on a many projects between Australia and Indonesia which included TROPIS///SUBSONICS Festival which she curated in 2011. Ruang Mes56: Contemporary Photography from Indonesia co-curated by Kristi Monfries and Georgie Sedgwick—Centre for Contemporary Photography, Melbourne, Australia, The Volcanic Winds Project 2010-2011 Australia/Indonesia—Program curator and organiser, Indonesia/Australia initiative supported by Asialink, Australia Indonesia Institute, Australia Council and Arts Victoria, ILMU Festival Program curator for The Volcanic Winds Project ASIALINK Yogyakarta, Indonesia, Asialink Residency Performing Arts curatorial research, Java Indonesia, KOMPILASI: A Survey of Contemporary Indonesian Art co-curated by Kristi Monfries, Georgie Sedgwick & Tim O’Donoghue. BUS Gallery, Melbourne, Australia, Films/Video Experimental film and video screening Programmed by Kristi Monfries and organised by Ariani Darmawan, Kine Ruku, Bandung, Indonesia, Clubs Projects Space ‘Out of the Vault’ Collection 16mm films curated by Kristi Monfries & Micheal Fairlie—Melbourne, Australia, Southern: A Show of 10 Australian Artists at Home Gallery-Curated & coordinated by: Nicole Tomlinson & Kristi Monfries - Prague, Czech Republic, Melbourne: Piece by Piece ROOM Galerij—Curated & Coordinated by Kristi Monfries, Edwoud Van Rijn & Karin De Jong - Rotterdam, Netherlands<br />
<br />
* http://volcanicwinds.com<br />
*http://tropisubsonics.tumblr.com<br />
<br />
=== Dr Brian Degger === <br />
Interests: DIWO, workshopology, daphniaology, DIYbio, Open source hardware, fermentation, resiliance thinking<br />
<br />
Short Bio: PhD in Biotechnoloy(2002): Cofounder of Makerspace, a hackerspace in the cultural quarter of Newcastle. As an Artist he concentrates on scientific processes, and everyday objects that can be transformed into workshops. His recent work includes Microbe Kisses, bacterial lip-prints of 500 people taken at Newcastle Makerfaire 2013, Briolabs Grafetti Wall, Pixelache using words around resiliance. Lecturing on DIYbiology&Bioart as part of Bridging the Gaps, Exeter"", participating in the 95% Migrating art academy, and commenting on the eye at the Wonder Conference, Newcastle University. <br />
<br />
* http://transitlab.org<br />
<br />
=== Sakar Pudasaini ===<br />
Interests: programming, DIWO tech/science, context appropriate technology, income generation through hacking skills <br />
<br />
Short Bio: Sakar is programmer by trade and a tinkerer by desire. A recent dissident from the world of cubicals he has started two enterprises in the last year. GalliGalli (www.GalliGalli.org) a social tech company. And Karkhana (www.Karkhana.asia) a company with a mission to support a culture of experimentation. Both companies are based in Kathmandu, Nepal. Working in areas with limited career opportunities for creative technologists and limited resources for R&D shapes his two main interests, i.e. context appropriate technologies and how DIY, DIWO tech/science can be parleyed into careers or income generating business.<br />
<br />
* http://www.GalliGalli.org<br />
* http://www.Karkhana.asia<br />
<br />
=== Enin Supriyanto ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
=== Dr. Špela Petrič ===<br />
Interests: politics of science and distribution of knowledge, terRabiology, evolution/protocells, mimicry, biopolitics, circadian rhythms, stem cell research/regenerative medicine, aptamers/synthetic metabolism & biochemistry/reengineering<br />
<br />
Short Bio: Špela Petrič (1980), PhD in biochemistry and has studied at Transmedia, LUCA, Brussels. As an artist she focuses on the cross-section of biological sciences, performance and art and collaborates with the Kapelica Gallery in Ljubljana. Her recent work includes Humalga: Towads the Human Spore (art-research project with Robertina Šebjanič, 2012), Circadian Drift (installation with Maja Smrekar, 2012), CTCAG – recognition (lecture-performance, 2011), Cladocera (installation, 2010).<br />
<br />
* http://spelapetric.org/<br />
<br />
=== Muhammad Hidayat a.k.a Julian Abraham a.k.a Togar ===<br />
Interest : stickers & t-shirts. <br />
<br />
Short bio : Muhammad Hidayat a.k.a Julian Togar Abraham is media artist, musician, programmer, scientist-wannabe and social researcher. Words like manipulating, decomposing, degenerating and dematerializing are often used to identify his work. Connecting one thing to another, expressed in complex algorithm, gave him the experience in how art, the environment, science and technology relate to one another providing new tools to educate and engage both him and the society into a wiser, richer and more independent living being in a world of creation and annihilation. #lifeisgooddude<br />
<br />
* http://julianabraham.net/<br />
<br />
=== Nur Akbar Arrofatullah | Host ===<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Dr. Sachiko Hirosue ===<br />
Interests: learning/learning by teaching, eating, science/art/society interface<br />
<br />
Short Bio: Sachiko Hirosue works as a researcher at the interface of biomaterials and lymphatic physiology in the Institute of Bioengineering, School of Life Sciences, École Polytechnique Fédérale de Lausanne, Switzerland. Her interests in bio art derives from the encounter at the [http://subtletechnologies.com/ Subtle Technologies Festival] (Toronto, Canada) , which she co-chaired from 2005-2008. The 2011 Hackterialab in Romainmôtier, Switzerland inspired her to initiate fresh collaborations with Lifepatch and (art)ScienceBLR: BIO-DESIGN for the REAL WORLD (biodesign.cc), an interdisciplinary educational collaboration focused on solving real world water problems through analysis and mapping of water quality.<br />
<br />
* https://delicious.com/subtletechnologies<br />
* http://biodesign.cc<br />
<br />
=== Gjino Sutic ===<br />
Independent interdisciplinary researcher, from Croatia. Conducts research in the several fields of science, such as; all fields of biology, medicine, engineering, electronics, neurology, nanotechnology etc. with an emphasis on DIY biotechnology & bioelectronics. He designs and makes (DIY) necessary research instruments. Invented the concept of Biotweaking (improvement of living organisms or their components to exhibit and use their full potential) which fully defines his philosophy and work. In the year 2012.he joins I’MM_Media Lab and he begins to exhibit his scientific work to the public-inventions and innovations such as; SRCE , BOCA, MeBUMZ etc. Leads BIOsection – educational project, where he lectures & conducts workshops. In the year 2013. he founded Universal Reaseach Institute UR. He is also, one of the founders of Croatian makerspace Radiona. He combines scientific work and uses artistic representation for the demystification of science and for bringing it closer to ordinary citizens.<br />
<br />
* http://ur-institute.org/<br />
<br />
=== Fajar Abadi ===<br />
Fajar Abadi’s artistic practice often involve many people without the necessity to categorize them as audience, participants, contributors, public nor viewers. The people’s (bodily) movement or reaction within the kind of work he does is inevitable and is always common and natural e.g. eating, smiling, carrying things, throwing balls, etc. He challenges the existing forms of interactivity, contribution, collaboration and participation amongst us human with a spark of fun and joy. He explores daily experiences and uses them as a method in presenting his art. <br />
<br />
* [http://www.rohprojects.net/wp-content/uploads/2014/02/1.-2013Catalogue-Fajar-Abadi1.pdf Recent solo exhibition catalog]<br />
* http://indoartnow.com/artists/fajar-abadi-rdp<br />
* http://kuehsenyum.tumblr.com<br />
* http://hanyaudara.blogspot.com<br />
<br />
=== Suparmin Ahmad ===<br />
Interests:<br />
<br />
Short Bio: UGM Microbiology Lab, Yogyakarta<br />
<br />
* http://links.internet<br />
<br />
=== Pei===<br />
Interests: Nature vs Culture, and the soundings of them. <br />
<br />
Short Bio: As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== LIN, Pei-Ying 林沛瑩(ca3rine) ===<br />
Interests: Physics, Biology, Nature, Mythology, Theatre, Languages, Fiction, Communication, Emotions, Evolution, and geeky things.<br />
<br />
Short Bio: Co-Founder of Taiwanese BioArt Community. M.A. Design Interactions, Royal College of Art. B. Sc. Life Science and minor in Computer Science and Humanities & Social Sciences, National Tsing Hua University.<br />
<br />
* http://peiyinglin.net<br />
<br />
=== Denisa Kera ===<br />
Interests: open science and citizen science advocacy, prototypes driven policy, OSHW for translational research, philosophy and design<br />
<br />
Short Bio: Denisa Kera is a philosopher and a designer. She builds design prototypes and critical probes to create tools for deliberation, reflection and public participation in science. She follows and studies the science community labs, alternative R&D places (Hackerspaces, FabLabs) and various (Do It Yourself) DIYbio movements, citizen science initiatives etc. as a revival of tinkering and 16.century pre-modern science. She has extensive experience as a curator of exhibitions and projects related to art, technology and science, and previous career in internet start-ups and journalism. Currently, she works as an Assistant Professor at the National University of Singapore and Asia Research Institute fellow, where she is trying to bring together Science Technology Society (STS) studies with interactive media design. <br />
<br />
* https://nus.academia.edu/DenisaKera<br />
<br />
=== Martin Malthe Borch ===<br />
<br />
Interests: Biological Engineering, Interaction Design, Open Source Hardware, Bioart, Open Innovation, Citizen Science<br />
<br />
Current Activities:<br />
* Research Assistant IT-University of Copenhagen.<br />
* Co-founder and chairman of biologigaragaen: www.biologigaragen.org<br />
* Chairman of Labitat Copenhagen Hackerspace: www.Labitat.dk<br />
* Initiater and project leader on Copenhagen Citizen Science Center www.KopenLab.dk/space<br />
* Working on living and sustainable architecture with the copany GXN, Green innovation in architecture http://gxn.3xn.com<br />
<br />
Look up. How much living biology can you see right now? Only a house plant? We are biology, and at CIID, Martin is working to integrate the complexity and evolutionary capability of living biology, plants, bacteria and microalgae in design and architecture. He researches and plays with the possibilities of biology in interaction and experience design. We could have bioluminating microalgae tubes in walls and ceilings, living lampshades of lichen that change shape and colour with the season. The self replicating capacity of biology further adds new aspects to sharing of design. Martin discovers new opportunities through learning by doing, always wondering, asking critical questions and having fun. He believes the future holds a big potential for open source business models and innovation by making natural science relevant and accessible through an user oriented design approach. He has a Master degree in Biological Engineering from DTU, specialized in bioreactor engineering and sustainable biorefinery processes. He’s in the steering comity of “Energihøjskolen” the first Danish folk high school based on natural science.<br />
<br />
*http://dk.linkedin.com/in/mmborch/<br />
<br />
=== Verry Handayani ===<br />
Verry Handayani is a theatermaker who explores on new methods and forms in theatremaking. She studied International Relations in Gadjah Mada University and was actively involved in the reknowned Teater Garasi (1993 - 2013). She did a research-based production that resulted in a monolog titled “Sum; Cerita dari Rantau” that travelled and was performed in 11 cities in Indonesia during 2008 - 2009. Her recent work titled "Jangkar Madu. Sangkar Babu" (2013) is a documentary-theater based on a social-capital research on the migrant workers in Jangkaran village, Yogyakarta. The actors in the play are also the researchers of the project. She has an interesting particular style in presenting the ‘found-truth’ throughout her performances.<br />
<br />
=== Ferial Afiff | Host ===<br />
Short Bio: Ferial ‘Mak Nyak’ Afiff is actively involved in a number of communities and organizations and her vast curiosity is embedded in her creative process. Her art is solely based on interdisciplinary knowledge, emphasizing the personal opinions in various socio-cultural issues. Ferial has been known for her performances even before she graduated from STISI-Telkom (2005). Growing up with a gymnastic background and majoring in the sculpture department for her bachelor degree grew her sensibility in (human) body as a form that speaks for itself. Her performances do not use body as a form but rather as a medium to convey her ideas.<br />
<br />
* http://ferialperformance.blogspot.com<br />
<br />
=== Pia Van Gelder ===<br />
Short Bio: Pia van Gelder is an electronic artist, curator and teacher. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesizer, and common electronic devices which are hacked and opened up to perform in ways that negate their use or assumed design. In her recent work she has been interested in presenting opportunities to experience AV mysticism and what she calls ‘machinic affinity’; feelings of closeness to a machine.<br />
<br />
Involving methodologies of hacking within her practice at large, Van Gelder also explores interdisciplinary research into theosophy, technology, science, counter-culture histories and DIY pedagogy.<br />
<br />
Van Gelder has curated various festivals, art events and exhibitions and has been involved with DIY spaces for the past decade, particularly the Serial Space collective. She is the Overlord of Dorkbot Sydney, a regular meeting for people doing strange things with electricity, whilst lecturing at the College of Fine Arts, UNSW in the School of Media Art.<br />
<br />
* http://piavangelder.com<br />
<br />
=== Helmi Hardian ===<br />
<br />
Interests: DIY, DIWO, Cooking and Smoking at the same time<br />
<br />
Short Bio: Helmi Hardian is an artist and scientist wannabe. He lives in Surabaya, the city that known for industry and technology, as well as the centre of electronic component markets (Pasar Genteng – Roof Market). So, his work influenced and related to technology development. Together with Debrina, they focus to develop No:Work (National Observation Work) division at Waft Lab and playing their role to researching and developing material for some workshop, lecturing, and presentation.<br />
<br />
* http://waft-lab.com/<br />
<br />
=== Tedi Nurmanto ===<br />
Percussionist and natural-born instrument-maker Tedi Nurmanto (Tedi En) initiated Kosmik (Komunitas Musik Keramik/Ceramic Music Community) as a part of Jatiwangi art Factory’s (JaF) that explores other ways of music-making and instrument-building from ceramic. He nurtures the triennial Ceramic Music Festival which in their first event generated the Jatiwangi People’s Declaration and also recreated the district’s hymn song.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://ceramicmusicfest.blogspot.com<br />
*http://konsorsiumusikeramik.tumblr.com<br />
<br />
=== Michael Candy ===<br />
Michael Candy is an emerging new media/kinetic artist with a specific interest in mimesis, technological archetypes and the discourse that exists within these contemporary parallels. Through the deconstruction and analysis of everyday devices, Michael has developed a unique rationale of instinctive engineering, which he uses to investigate contrasts between nature and technology.<br />
<br />
* http://michaelcandy.com<br />
<br />
=== Agung Firmanto aka Geger | Host ===<br />
Agung ‘Kang Geger’ Firmanto currently work for the local govenrment in tourism and cultural fields. He is also a freelance language tutor, photographer and street art lover. In 2012 he co-founded urbancult.net, an online digital visual documentation and mapping of the street art in Indonesia. He is also co-founder of Lifepatch, citizen initiative in art, science and technology in 2012 and have been working intensively in citizen science for the communities in Yogyakarta. .<br />
<br />
* http://urbancult.net/<br />
<br />
=== Paula Pin ===<br />
Paula Pin is a transhackfeminist performer and interdisciplinarity researcher. Graduated in Fine Arts from Barcelona and Sao Paolo, her work ranges from abstract video to circuit bending to investigations at the frontiers of biology,cybernetics and queer science. Her performance piece Medusa from 2010 mixes mythology, ecology and criticism of consumer culture while Udre from 2009, is an automatic drawing machine created from an old umbrella. She was awarded a grant from Vida to develop her Photosinthetik Symphony – data from sensores attached to plants and her own body generate sound in a program created in Pure Data. In 2012 she was invited to a residence in Nuvem, a rural art centre in Brasil, to develop her work, focussing especially on photosynthesis. Questioning and blurring the boundary between science fiction and fact, much of her artwork investigates a broad range of subject matter relating to natural phenomena such as bioelectricity, bioluminescence, geochemistry and the cosmos. In parallel she creates home made synthesisers, gives workshops, and investigates the practise of noise, biohacking, diagnosis low-cost and DIWO biolabs.<br />
<br />
* http://jellypin.hotglue.me/<br />
* http://biosensing.tumblr.com/<br />
* http://transnoise.tumblr.com/<br />
* http://akelarrecyborg.tumblr.com/<br />
<br />
=== Yusra Martunus ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://indoartnow.com/artists/yusra-martunus<br />
*http://id.wikipedia.org/wiki/Yusra_Martunus<br />
*http://archive.ivaa-online.org/pelakuseni/yusra-martunus<br />
<br />
=== Klau Kinki ===<br />
Interests: gynepunk, biohack, low-cost diagnosis, DIWO biolabs, glands anarchy, radical urodynamics, bodynoise, cellotronics, transhackfeminism, graphic glitch, protofakir, bacteria gardening, funghi paradise<br />
<br />
Short Bio: Comparative archeology of self-denominations: technical contortionist, methodological amnesia, hedonistic exhibitionism and hyperlink to the void. This means failed audiovisual technician, deserter of unflexible repetitive disciplines, post-porn sexual dissident, weaver of ephemeral nets. My academic deformations are only fossil waste of my viscera dreamscapes, as hunger, only a reaction to furious gangs of bacterias dancing as digestive tissues and fluids.<br />
<br />
*[http://anarchagland.hotglue.me ANARCHA's MemorY]<br />
*http://vuduserialbitch.hotglue.me/<br />
*http://vuduserialbitch.wordpress.com/<br />
<br />
=== Julito aka Monika === <br />
Interests: Very interested on entering inside biohacking and learning to <br />
build a biolab and on diy & low-cost laboratory infrastructure.<br />
<br />
Julito is a welder technician, mechanic trainee, electronic circuit and <br />
noisexxx freak, willing to learn programing language to build robots! …. <br />
She started working with electronics through sound and performance, <br />
leaving behind a more melodic and instrumental phase. She is now settled <br />
down in Calafou and experiments, noise and fails in Pechblenda Lab. <br />
She recently comes from the zombie rip mutangerlab <br />
<br />
* http://mutangerlab.wordpress.com<br />
* http://www.thedeathmarch.wordpress.com<br />
<br />
=== Debrina Tedja ===<br />
Interests: DIY, DIWO, Writing, Learning and Teaching<br />
<br />
Short Bio: Debrina is project manager of No:Work (National Observation Work) division in Waft Lab. She graduated form Airlangga University and majoring in communication studies. She believes technology is part of daily life and way of life to deal with challenges. She sees many people who deal with their limitations and manipulated technology. Through No:Work Division, Debrina and Helmi want to spread the culture of Do It Yourself, cultivate inspiration and creativity in field of science, technology and art. <br />
<br />
* http://waft-lab.com/<br />
<br />
=== Yashas Shetty ===<br />
Interests: <br />
<br />
Short Bio: Yashas Shetty is an artist and composer based in Bangalore, India. He is currently an artist in residence and faculty at the Srishti School of Art, Design and Technology. He helped found the Center for Experimental Media Arts at Srishti and has previously taught at design schools across India. His works look at the relationship between language,ecology and technology. He is also one of the founding members of the Hackteria project.<br />
<br />
* http://www.thedepartment.in<br />
* http://www.cema.srishti.edu.in<br />
<br />
=== Ai Hasegawa ===<br />
Interests: evolution, reproduction, food, future, comic, opera, science fiction<br />
<br />
Short Bio: I use art and design to present a solution to the challenges encountered in our daily lives. At the same time, the solution itself questions our perception of living in this world. Having studied computer graphic animation and interactive media art at IAMAS, Japan. After moving to London, I began working as an animator, character designer and illustrator. At the same time I worked as designer for audience participatory interactive public art at Haque Design and Research. In 2012, I graduated with an MA in Interactions Design at The Royal College of Art. Recent works are “The Extreme Environment Love Hotel” series and “I wanna deliver a shark…” series.<br />
<br />
* http://aihasegawa.info/<br />
<br />
=== Fred Kuang-Yi Ku ===<br />
Co-Founder of Taiwanese BioArt Community. Currently studying in MA Communications Design, Shih Chien University, and Master of Dentistry in Department of Dentistry, National Yang-Ming University. He is working as a professional dentist and artist at the same time. Has got his work exhibited in Taiwan, Hong Kong, and Singapore. His most recent series “Organic Mimicry of Prosthesis” was made with dental material which he deconstructed the function of oral prosthesis, and changed the shapes from single organs to multiple creatures’ mimicry. And he tries to show the discrepancy of organic-inorganic ambiguity and the condition between reality and virtuality.<br />
<br />
=== Wawies Wisnu Wisdantio | Host ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Budi Prakosa aka Iyok | Host ===<br />
Budi ‘Mas Iyok’ Prakosa is a self-taught programmer, exploring the wide range of possibility in creative coding, he initiated a project as a VJ with the name of manticore in 2009, combining interactive programming with graphic data visualization. He has a background in industrial engineering and have an interest in the field of image and sound processing, video jockey, generative art, machine learning, algorithms, data mining, artificial intelligence and collaboration between science and art. Currently he is working on developing urbancult.net - an online visual mapping documentation on street art, and lifepatch.org a citizen initiative in art, science and technology <br />
<br />
* http://manticore.deadmediafm.org<br />
<br />
=== Tarlen Handayani ===<br />
Tarlen Handayani graduated from a journalism major in the Communication Department, Bandung Islamic University and an extension course on philosophy in Parahyangan Catholic University. In 2001, she founded Tobucil & Klabs, a small bookshop or info shop and community space. One of its missions is to support the local literacy movement with aim building capacity in order to produce new thought and to evaluate them. Tobucil has built approach to implementing the literacy movement in everyday life with regular clubs like writing club, Everyday Philosophy club, reading club, knitting club. In 2008, she got a grant from Asian Cultural Council and learned about how to develop audience and communities in museum Brooklyn Museum, and taught craft in Etsy (biggest handmade community in the world base in Brooklyn, USA). She personally decided to develop her skill as a bookbinder. Bookbinding to her is not only making books, but also a mission to persuade people to write what they are thinking about. In 2012, with three other friends (local artist: Keni Soeriatmadja, R.E. Hartanto and Dewi Aditya), She was created program it called Book Play Project. It began in the form of a group exhibition where all of them made art books (exhibited in UNKL 347, Bandung and Kedai Kebun Forum, Yogyakarta). Her recent essay was publish in "Craftivism The Art of Craft and Activism", edited by Betsy Greer and published by Arsenal Pulp Press, UK, 2014.<br />
<br />
* http://www.vitarlenology.net/<br />
* http://www.tobucil.net/<br />
<br />
=== Mary Tsang ===<br />
Interests: amphibians, tropical ecologies, diy-learning, bio-tinkering & bio-accessibility<br />
<br />
Short Bio: Mary Tsang is a hybrid of sorts, specializing in both Biology and Art. She spent a good chunk of her college career in rainforest research and self-taught hydroponics, and creates "bioart" while simultaneously grappling with the definition itself. Since graduation, she has embarked on a documentary journey to film biohackers and bioartists in the United States, analyzing the social, political, and philosophical underpinnings of social/artistic biotinkering. The next step: to examine this same topic on a GLOBAL scale.<br />
<br />
* http://www.diysect.com/<br />
* http://www.marytsang.com/<br />
<br />
=== Dr. Matt Baker === <br />
<br />
Interests: Biophysics, DIY Microscopy, Open Source Hardware, Bacterial Chemotaxis and Motility, Water Filtration, [http://www.sensibledancehall.com.au Dancehall]<br />
<br />
Short Bio: [http://www.phatmattbaker.com Matt Baker] (DPhil, [http://www2.physics.ox.ac.uk/research/biophysics-of-molecular-motors Oxford 2010]) is a biological physicist working on molecular motors at the Victor Chang Cardiac Research Institute in Sydney. His research career has focussed on the bacterial flagellar motor which rotates the propellor that makes nearly all bacteria swim. This marvel of bionanotechnology is nature's fastest wheel and rotates at up to 1000 Hz, assembles itself into bacterial membranes, and can switch directions in a handful of milliseconds. Matt works on building high resolution microscopes and optical traps to image and exert picoNewton torques on this motor. Currently he is using DNA nanostructures with [http://www.victorchang.edu.au/home/about/our-people/about-faculty-detail/?faculty_name=dr-lawrence-lee Dr Lawrence Lee] to attempt the first artificial synthesis of the bacterial flagellar motor. Matt has a strong interest in outreach and communications work and has performed a variety of [https://www.youtube.com/watch?v=47tKVUE54W0 science raps] in festivals throughout UK, Europe and Australia. At HackteriaLab2014 Matt wants to get involved with open source hardware and DIY lab equipment and learn from the ingenuity displayed in hacking webcams to see how we can apply it to other types of microscopes.<br />
<br />
* [http://www.phatmattbaker.com www.phatmattbaker.com]<br />
* [http://www.victorchang.org.au/home/our-research/faculty-detail/?faculty_name=dr-lawrence-lee&division_name=structural-computational-biology Lee Group at the Victor Chang Cardiac Research Institute]<br />
<br />
=== Ivan Bestari Minar Pradipta | Host=== <br />
Interests: low technology DIY, recycled glass, community<br />
<br />
Short Bio: Ivan is one of the founder of [https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816?ref=hl Otakatik Creative Workshop], community based open space focussing in creative works based on exploration with local materials/ingredients, either waste or non-waste,material. Since three years ago he is experimenting with low budget recycled glass art.<br />
<br />
* [https://www.ivan12.deviantart.com ivan deviant art]<br />
<br />
=== Han, Tsai-Jung Carol === <br />
<br />
Interests: Technology city, maker culture, creativity, complex system, alternative/integrate medicine, nontraditional biological and medical applications<br />
<br />
Short Bio: With the academic background in life science, nano- and biophotonic, architecture and heritage preservation, she is currently a kinesthetic Interactive programmer developing applications for performance, education and medical field. At the mean time investigates the relationship between art and science, and their relationships with society and culture. TW BioArt cofounder.<br />
<br />
=== LIN, Yung-chieh 林永杰===<br />
Interests:<br />
<br />
Short Bio: Photographer and animator. Particularly into micro-photography and panorama, with self-invented photography equipments. Studied at National Taiwan Unicersity and National Chung Hsing University; majored in Entomology and Animal Science.<br />
Graduated from Shih Chien University, majored in Communications Design.<br />
<br />
*http://www.cypherone.tw<br />
<br />
=== Budi Laksono ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
*http://www.youtube.com/user/budzbudilaksono/<br />
<br />
=== Dian KM aka Ringo ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://xcodefilms.com<br />
<br />
=== Adeline Seah ===<br />
Interests: Conservation genetics, Wildlife trafficking, Forensic DNA barcoding, Art for science communication, Inquiry based learning, Pangolins!<br />
<br />
Short Bio: Adeline Seah is a biologist who studied in California (B.S in Genetics & Plant Biology, PhD in Developmental Genetics with C. elegans) and moved back to Singapore a few years ago. She is just finishing a short postdoc (2012-2014) on analyzing the genetic diversity of the highly endangered Southern River Terrapin in Cambodia.<br />
<br />
In 2012, she founded Biodiversity Connections happy hour in Singapore to build relationships between researchers, NGOs and government agencies involved in biodiversity research and policy. She also recently started The Pangolin Story outreach project with a friend to use public art projects to create awareness in Singapore on pangolins and the threats they face in the region from poaching for consumption and Traditional Chinese Medicine. <br />
<br />
*https://biodiversityconnections.wordpress.com<br />
*https://thepangolinstory.wordpress.com<br />
*https://www.facebook.com/thepangolinstory<br />
<br />
=== Cindy Lin ===<br />
Interests: snails, slugs, food experimenta, 'invasive species', recycled excrement, feminist kink, DIYbio, bio-economics, DIY sex toys & products and MMORPGs <br />
<br />
Short Bio: Cindy Lin is a final year undergraduate National University of Singapore (NUS) student specializing in Southeast Asian Studies and a student from a multidisciplinary art-science-technology programme in NUS - NUS University Scholars Programme. She is currently residing in Yogyakarta for independent research modules - one of which focuses on the relationship between art, science and technology as well as the particularities of hacking in Global South open-community hackerspaces, <br />
<br />
She founded Gender Collective - safe space for gender and sexual inclusivity in Singapore in 2011 and is co-editor and founder of independent critical semi-academic Southeast Asian Studies journal in 2013 - Subjectivities. She is also member of Project X - an initiative which seeks to recognise the rights of trans*sex (not exhaustive) workers in Singapore.<br />
<br />
An amateur naturalist (albeit always tempted to remove living things from their natural environments), biology and ethology enthusiast (particularly sexual conduct), an aspiring anthropologist as well as a moonlighting student, she is obsessed with both alive and dead gastropod and rodentia. She also hopes to develop her own snail excrement machine to process undigested recycled products in waste for other uses or explorations. <br />
<br />
*Links<br />
http://gendercollective.wordpress.com/ <br><br />
http://theprojectx.org/ <br><br />
https://www.facebook.com/subjectivities<br />
<br />
==Part time visitors==<br />
=== Ismal Muntaha ===<br />
Videomaker and co-founder of Sunday Screen Ismal Muntaha who is the current director of Jatiwangi art Factory’s (JaF). His practices plays around the idea of art by the public, art for the public and public art. People’s involvement in his work is always natural as his ideas begin with the people in his surroundings.<br />
<br />
Since 2005, JaF practices have always involved and is directly related to the citizens of Jatiwangi District, Majalengka Regency, West Java, Indonesia. The district Jatiwangi is known for its ceramic rooftile industry—as many home industries with manual/low-tech devices are, the industry is going down the closet for the past two decades. In many ways, JaF explores art as a tool to gather citizens in many different kinds of festivities to subtly evoke the common need of harmony in living together as a community.<br />
<br />
*http://jatiwangiartfactory.wordpress.com<br />
*http://villagevideofestival.wordpress.com<br />
*[http://vimeo.com/user4598240/videos Sunday Screen's vimeo]<br />
<br />
=== Robin Scheibler ===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*http://biodesign.cc/<br />
<br />
===Noah R. Most===<br />
<br />
Interests: DNA nanotechnology, developmental biology, synthetic biology, DIYbio, biohacking, bioeconomics, intellectual property, open source movement, entrepreneurship, self-tracking<br />
<br />
Short Bio: Noah has been traveling the world to explore do-it-yourself biology and related movements on a Thomas J. Watson Fellowship. He has hung out with biohackers in Canada, Ireland, Germany, Czech Republic, Netherlands, Austria, Slovenia, the UK and India. Last May, he graduated from Grinnell College in Iowa with degrees in biology and economics as well as the sense that something needs to change when it comes to the practice of science.<br />
<br />
===Kokok P. Sancoko===<br />
Interests:<br />
<br />
Short Bio:<br />
<br />
*Links<br />
<br />
==Volunteerology==<br />
===Afina Dina Kamila===<br />
Fina is a Biology Faculty of Gadjah Mada University undergraduate student whose interested in limnology, concern in aquatic bioremediation, and also an active researcher in Marine Study Club. Her current research explores on the bioremediation capability of microalgae. She is interested in interdisciplinary practices and multicultural team.<br />
<br />
===Chandra Pradithaningrum===<br />
Chandra is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine, microbiology, bioinformatics, biotechnology, drug discovery, and environmental science. She is part of the synthetic biology community in her campus called SynBio that focuses on innovations based on interdisciplinary collaborations. She is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Fikri Yathir===<br />
Born in Makassar, South Sulawesi, Fikri studied at the Anthropology Major, Culture Sciences Faculty, Gadjah Mada University. He recently completed an interdisciplinary research on organic production and consumption in Yogyakarta with a student from International Relation Major, Social and Political Sciences Faculty of Gadjah Mada University and another student from Ethnology Major, Faculty of Humanities, University of Freiburg, Germany. They continued their research in Freiburg, in conjunction with another local research group, with the focus subject on shared organic garden of one cooperative and its political agriculture movement as an opposition against conventional agribusiness by government. He considers both researches as his starting point of being an avid learner of environmental issues. Fikri believes that this simple thing called food has a world affecting political history and consideration long before it is served on our plates.<br />
<br />
===Gisela Swaragita===<br />
Gisa is currently pursuing her master in English Literature at Sanata Dharma Univesrity. Founded a three piece punk band where she played bass and sang called The Frankenstone in 2007 and joined a twee indie pop band called Summer in Vienna where she also play bass in 2013. She is involved in Belkastrelka's Jalan Emas performance project together with Teater Garasi. Gisa volunteered in Biennale Jogja 2013 as the assistant for co-curator Habiba Effat and artist Dina Danish (both from Egypt). Ever since then, Gisa is always interested in the art scene of Jogja. She writes for KANALTIGAPULUH webzine that focuses on local music scene and runs a monthly event in Kedai Kebun Forum called Lelagu, where local musicians play accoustic set colaborating with visual artists.<br />
<br />
===Immanuel Sanka===<br />
Sanka is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marine science and biotechnology. His current research project is bioremediation agent (diatom) for biomonitoring agent in the rivers for water conservation necessities. He is part of the synthetic biology community in his campus called SynBio that focuses on innovations based on interdisciplinary collaborations. He is also active in a campus research club called Marine Study Club focusing in marine biodiversity and marine pharmacology.<br />
<br />
===Matin Nuhamunada===<br />
Matin is a Biology Faculty of Gadjah Mada University undergraduate student whose interests are marince science and microalgae. He recently co-founded a synthetic biology community in his campus called SynBio. Matin wants to contribute in the DIY & Low-Cost Laboratory Infrastructure in relation the algae culture.<br />
<br />
===Yolandri Simanjuntak===<br />
Yolandri left her hometown in Pematangsiantar to study in Public Relations Major, Communication Science Faculty, University of Atma Jaya, Yogyakarta. She volunteered in Biennale Jogja 2011 as an assistant for the co-curator Suman Gopinath (India) and also in the artwork's installation. Yolandri is aslo an active member of PermablitzJogja, a movement of various people from different communities trying to build their own edible garden. She was the project manager of the urban-gardening workshop in Climate Art Festival 2013. With PermablitzJogja, she is working with people from Code River to make a hundred worm-towers in their land to fertilize the soil. For the Biennale Jogja 2013, she volunteered as an assistant for artist Salwa Aleryani (Yaman).</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11091Workshopology2014-04-14T07:43:52Z<p>Halfjavanese: /* Carnival game by Dipeshwor Shrestha & Karkhana */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.00pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshops 4 @ 2.30pm===<br />
<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
3h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11090Workshopology2014-04-14T07:42:48Z<p>Halfjavanese: /* 20 April Sunday */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.00pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshops 4 @ 2.30pm===<br />
<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11089Workshopology2014-04-14T07:41:23Z<p>Halfjavanese: /* Mechanical Sculpture and 3D Printing By Michael Candy */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11088Workshopology2014-04-14T07:39:40Z<p>Halfjavanese: /* Carnival game by Dipeshwor Shrestha & Karkhana */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
Carnival game by Dipeshwor Shrestha & Karkhana[edit]<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play, Improve). Their task is to make a carnival game in 40 minutes. They will first generate ideas, discuss it with their peers and then create a cardboard prototype. Finally, they will present their games to the whole class and everyone will play each others games. Additionally, the class will teach the students about energy transformations that are being used in the games they make.<br />
Format: 2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
Support Material: 1. projector (we can think of other ways to present if a projector is not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
Workshop ===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11087Workshopology2014-04-14T07:37:18Z<p>Halfjavanese: /* Workshop 4 @ 1.00pm */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
Carnival game by Dipeshwor Shrestha & Karkhana[edit]<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play, Improve). Their task is to make a carnival game in 40 minutes. They will first generate ideas, discuss it with their peers and then create a cardboard prototype. Finally, they will present their games to the whole class and everyone will play each others games. Additionally, the class will teach the students about energy transformations that are being used in the games they make.<br />
Format: 2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
Support Material: 1. projector (we can think of other ways to present if a projector is not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11086Workshopology2014-04-14T07:35:36Z<p>Halfjavanese: /* BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 3.00pm===<br />
<br />
BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11085Workshopology2014-04-14T07:34:46Z<p>Halfjavanese: /* Workshops 1 @ 3pm */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 2pm===<br />
<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 3.00pm===<br />
<br />
BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11084Workshopology2014-04-14T07:34:13Z<p>Halfjavanese: BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 3pm===<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 3.00pm===<br />
<br />
BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11046Workshopology2014-04-13T05:49:04Z<p>Halfjavanese: BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 3pm===<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 3.00pm===<br />
<br />
BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11045Workshopology2014-04-13T05:47:20Z<p>Halfjavanese: /* Workshop 4 @ 4.30pm */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 3pm===<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 3.00pm===<br />
<br />
== "title of the workshop" by xxxx, xxxx ~ ==<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=Workshopology&diff=11044Workshopology2014-04-13T05:46:21Z<p>Halfjavanese: /* Workshops 3 @ 1.30pm */</p>
<hr />
<div>'''<- back to main page of''' [[HackteriaLab 2014 - Yogyakarta]]<br />
<br />
<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-18h | Wednesday 16. April ==<br />
<br />
== 15-21h | Thursday 17. April ==<br />
<br />
== 15-21h | Friday 18. April ==<br />
<br />
<br />
= Workshop Slots @ BPR =<br />
Various workshops from 19 - 23. April, primarily focusing on working with children in the neighborhood. Age 5-16<br />
<br />
==19 April Saturday==<br />
<br />
===Workshops 1 @ 3pm===<br />
==FLOFA BOT // Flora Fauna Bot by Helmi Hardian & Debrina Tedja==<br />
In this class, the kids will observe around about organism, and then give presentation. After that we encourage them to be imaginative and create a story, either drawing or writing it which explains this question: ‘If you can create any kind of creatures (animals, plants, alien, ghost, mutant, or anything), what it will be and describe them?’ Then they can start to make this creature with Flofa bots, which is made of brush and motor, so it can move, also decorate it from scratch and waste. In the end, we asked them to have short presentation about their creature and make a racing game.<br />
<br />
'''Format :''' 1-2 hours, suitable for 5-10 years old kids, and the maximum number of participants is 10.<br />
<br />
'''Support Material :''' Crayons, Colored Pencils, Colored Markers, Colored Papers, Ice Cream Sticks, Buttons, Ribbons, Movable Eyes, Toothpicks, Glue etc<br />
<br />
'''++ :''' White board + Black Board Marker (the fattest one)<br />
<br />
===Workshop 2 @ 4.30pm===<br />
===='''Carnival game''' by Dipeshwor Shrestha & Karkhana ====<br />
Kids will learn about Design cycle called the TMPI (Think, Make, Play,<br />
Improve). Their task is to make a carnival game in 40 minutes.<br />
They will first generate ideas, discuss it with their peers and then<br />
create a cardboard prototype. Finally, they will present their games<br />
to the whole class and everyone will play each others games.<br />
Additionally, the class will teach the students about energy<br />
transformations that are being used in the games they make.<br />
<br />
'''Format:''' <br />
2h, 1 lead teacher with approx. 2 helpers for 30 kids<br />
<br />
'''Support Material:''' <br />
1. projector (we can think of other ways to present if a projector is<br />
not available), 2. cardboard, 3. rubber bands, 4. paper cutter, 5. hot glue gun + glue, 6. duct tape, 7. table tennis balls, 8. scissors, 9. color paper ~<br />
<br />
==20 April Sunday==<br />
<br />
===Workshops 3 @ 1.30pm===<br />
<br />
===='''Mechanical Sculpture and 3D Printing''' By Michael Candy====<br />
A short tutorial in basic mechanical principals will be applied in a practical manner as participants are encouraged to make small kinetic contraptions and generators powered by rubber bands. Complex components in the devices (such as pulleys or gears) will be 3D printed in situe and some participants will have the opportunity to design their own unique parts for their installation.<br />
<br />
'''Format:'''<br />
3 - 4h depending on kids' motivtaion. Preferably indoor classroom setup (or something similar) to begin with. And later heading outdoors to test and play with the sculptures created. Suitable for age 7 and up, some aspects of the workshop might be slightly complex for under 7’s, best around 15 students (to be put into groups of 3)<br />
<br />
'''Support Material:'''<br />
I will organize and supply materials<br />
<br />
I will be bringing a small 3D printer for this workshop (so we need electricity!)<br />
<br />
I do not necessarily need a projector! This was only to display 3D designs on my laptop, this can be done fine with just the laptop screen. – white board or blackboard or maybe even '''some paper''' could be good to demonstrate some idea’s / principals about mechanics.<br />
<br />
===Workshop 4 @ 4.30pm===<br />
<br />
== "title of the workshop" by xxxx, xxxx ~ ==<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
pls put down ideas or draft, tks !<br />
<br />
== BIOSYNTHS – BUILDING ELECTRONIC MUSICAL INSTRUMENTS WITH NATURE ==<br />
<br />
* Responsible Mentor: Pia van Gelder<br />
<br />
Synthesizers are generally played using knobs, switches and keyboards. What happens when natural events and phenomena are used as control synthesizers? Can we design instruments that are played by nature? In this workshop we will build our own hand-made synthesizers and we will examine how these synthesizers can be controlled by natural and biological systems so that we can listen to the music nature makes. <br />
<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== BioCyberKidzz, Maribor ==<br />
<br />
* Responsible: tba from participant call<br />
<br />
A body hack is a usable technique to improve a person's life or physical capabilities. Hacking the human body has become quite commonplace. Many people have body modifications such as tattoos, piercings or even advanced medical prosthetics. Simple and playful body modifications that allow enhancing our human performance can be made with just few and cheap materials, such as cardboard, magnets and LEDs. The Bio-Acoustics Ear amplifier can augment a directional perception of sound. With a Disco-on-a-Fingertip we can modify our fingers into torches, disco lights or fluorescence detectors and we can augment our touch perception and add a new sense of magnetism by building body extension’s such as the Magnetic Finger. Or finally, by mixing algae with agar or other jelly we can make a Photosynthetic Skin. These body modifications will be observed and recorded in The Lab Book. The children will be introduced to a playful laboratory setting where the lab becomes less of an intimidating space but more an environment to spark their curiosity.' The BioCyberKidzz workshop has been developed as a result of HackteriaLab 2011 by collective brainstorms of many individuals and communities, that are devoting their rich experiences in creating alternative crossovers between art and science. It has been invited to festivals such as Ars Electronica 2011 and others.<br />
<br />
See [[BioCyberKidzz, Maribor]] for material details and images.<br />
<br />
== BioMechaKinetics without 3d-printers ==<br />
<br />
* Responsible Mentor: Michael Candy<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
== Nepalese UberBioHack ==<br />
<br />
* Responsible Mentor: Dipeshwor and Ajay<br />
<br />
* short description<br />
* material support needed?<br />
* assistant other than translator?<br />
* format, fix time? approx how long? / ongoing? approx how long? <br />
* suitable age n ideal number of kids can take part ?<br />
<br />
= Workshop Slots @ KKF =<br />
<br />
== 15-21h | Monday 21. April ==<br />
<br />
== 15-21h | Wednesday 23. April ==<br />
<br />
= Workshopology Discussion Round @ BPR =<br />
<br />
More info soon<br />
<br />
<br />
=Workshopology Commons=<br />
<br />
Please put down general ideas and topics for doing Workshops.<br />
<br />
== Cheese Making ==<br />
<br />
See more on the [http://hackteria.org/?p=3068 hackteria website]<br />
<br />
by dusjagr and friends<br />
<br />
== General Ferments ==<br />
<br />
by lifepatch and friends<br />
<br />
== Soap Making ==<br />
<br />
by tamara<br />
<br />
== DIY microscopy ==<br />
<br />
by UGM students<br />
<br />
== DNA barcoding ==<br />
<br />
by adeline<br />
<br />
'''DNA Barcoding'''<br />
We probably will have to do some basic intro to DNA and how barcodes help for species identification. I can do a broad overview and then some hands on with DNA extraction or PCR.<br />
<br />
== OpenNanoDrop ==<br />
<br />
by Urs Gaudenz<br />
<br />
== Biotweaked Bioelectronics ==<br />
<br />
by Gjino Sutic (UR Institute)<br />
<br />
'''Biotweaked Bioelectronics'''<br />
Making experimental biotweaked devices; hybrid Microbial/air battery (UR Institute's version of Microbial fuel cell)- playing with the design, using it for water / Bio waste filtration etc.<br />
<br />
If I manage to grow enough microbial cellulose, we are making MeBUMZ (Microbial-membrane speaker, microphone and a drum) - also an experimental tech being developed at UR Institute.</div>Halfjavanesehttp://www.hackteria.org/wiki/index.php?title=HackteriaLab_2014_-_Yogyakarta&diff=10730HackteriaLab 2014 - Yogyakarta2014-04-06T05:30:13Z<p>Halfjavanese: /* Bumi Pemuda Rahayu – BPR */</p>
<hr />
<div>Informasi dalam Bahasa Indonesia, silahkan kunjungi: http://lifepatch.org/HackteriaLab_2014_-_Yogyakarta<br />
<br />
[[File:Flyer_hackteriaLab_2014_web.jpg|720px]]<br />
<br />
<div class="toclimit-2">__TOC__</div><br />
<br />
=Overview=<br />
HackteriaLab 2014 is scheduled to be held in April 2014, in Yogyakarta, Indonesia. A number of smaller events, workshops, residencies and exhibitions will prequel the main collaborative lab-phase. It is the fourth edition of an intensive two-week transdisciplinary collaboration amongst international and local artists, hackers, activists, scientists, and designers. HackteriaLab 2014 expands on ideas and methodologies about BioArt, DIY biology, Appropriate Technology, ArtScience and BioHacking, developed during the previous versions of [[HackteriaLab 2011 - Romainmotier]] and [[HackteriaLab 2010 - Dock18/Zürich]] in Switzerland and [[HackteriaLab_2013_-_Bangalore]] in India.<br />
<br />
Within the framework of [http://hackteria.org/ "Hackteria | Open Source Biological Art"], the HackteriaLab immersive format plays a key role in experimentation and the development of new models for knowledge sharing and collaboration building, in the emergent artistic practices related to bio- and nanotechnology and science in general. <br />
<br />
HackteriaLab, our version of a production workshop, is a form of cultural intervention, contributing to the development of our contemporary culture and art milieu. It creates a melting pot of the practices of art and science, of culture and environment. It aims to broaden the intercultural knowledge exchange and realizes this know-how through workshops, participatory prototype exhibitions and online wiki-like documentations.<br />
<br />
HackteriaLab 2014 invites international artists and scientists to collaborate with local communities, which have been intensively working with specific local social and ecological issues in Yogyakarta.<br />
<br />
= Format and Schedule =<br />
<br />
* HackteriaLab Pre-Phase: '''15. Feb - 10 April'''. BioArt / Citizen Science Workshop tour around Java promoting HLab and recruiting regional Participants; Discussions in Yogyakarta on BioArt / Citizen Science.<br />
* HackteriaLab Opening Reception: '''13. April'''. Presentations and Introduction by all participants<br />
* HackteriaLab Main-Phase: '''13/14 - 25 April'''. 2 weeks production/research in Yogyakarta with 30 local and international participants.<br />
* HackteriaLab Post-Phase and Exhibition: '''25 - 30 April'''. Exhibition in Yogyakarta for sharing the output to the larger local audience; making of the co-documentation and reflection.<br />
* HackteriaLab Dissemination Phase: '''June - Dec 2014'''. Various international workshops and presentations at festicals accross SE-Asia and Europe.<br />
<br />
'''Detailed Daily Schedule of Main-Phase : [[HackteriaLab_2014_Schedule]].'''<br />
<br />
== International Collaborations meet Regional Networks ==<br />
<br />
[[File:Collaborative_relationships.jpg|thumb|300px|right|Network of International and Regional Partners]]<br />
The programs attached to HLab14 are now organized by Lifepatch in close collaboration with the International Hackteria Society and affiliated with both local and internatioanl collaborators. The program involves field research, participatory art practices, open laboratory, retreats and workshops. Designated final activities are two days of presentation from all makers/participants and an exhibition of selected processes followed by workshops. These two particular activities were chosen because we believe that similar approaches, methods and practices are real and present within all collaborators and participants; opening up an opportunity to meet and exchange for all these people from allover the world and local practitioners would open up the chances and possibilities for future collaborations.<br />
<br />
= HLab14 Preparations =<br />
<br />
To help the participants to find their way and the important places during HackteriaLab, we are working on a interactive map '''"[https://mapsengine.google.com/map/edit?mid=zgJn2QWxHTwc.kkMZoDYBjVC0 Yogya for Geeks]"'''<br />
<br />
Various meetings with our local partners in Yogyakarta are happening, see details about the '''[[HackteriaLab 2014 Preparations]]'''.<br />
<br />
== HLab14 Team ==<br />
Details see [[HackteriaLab 2014 Team]].<br />
<br />
= HLab14 Pre-Phase: Feb - April =<br />
[[File:tourdigrade poster kecil.png|thumb|right|300px|Poster Publikasi Tourdigrade]]<br />
Connecting to local communities. Indonesia is a part of the world where the role and function of the government in citizen’s daily life is non-existing. After 32 years of the ‘silent’ dictatorship of the new order regime and 15 years of reformation, the idea of democracy and how the state should function has not reach a mutual agreement. Even so, ever since the idea of Indonesia was seeded, there have been many initiatives, both by collectives and individuals, that partially plays the roles of the state —starting from organizing themselves, organizing their family, organizing their surroundings, and it gets bigger and bigger. What we now know as DIY (Do-It-Yourself), DIWO (Do-It-With-Others), open-source and all that are nothing new at all. Being citizens, the Indonesians are used to being busy mending things that the government should have done for their citizens.<br />
Lifepatch is a citizen initiative that works in a creative and effective applications in the fields of art, science and technology. In its activities, Lifepatch’s practices focus on the arts and educations in science and technology that are practical and useful for citizens around them. This is done through with the development of creative and innovative practices in technology such as biological technology, environmental technology and digital technology. In practice, Lifepatch enriches the culture emphasizes on the spirit of DIY and DIWO by inviting designated public to be involved, to examine, explore, develop and maximize the function of technology in both the theoretical and practical use to society and culture itself. <br />
<br />
* Workshops<br />
* Field-trips<br />
* Presentations<br />
<br />
See the workshops and presentations in and around Yogya on [[HackteriaLab 2014 Preparations]]<br />
<br />
== [[HLab14 Tourdigrade]] ==<br />
<br />
To connect to our regional partners, we are going on tour for a series of workshops, hackathons and presenation. On the roadmap is our partners in Surabaya, [http://waft-lab.com/ W.A.F.T. Lab], the [http://ruangrupa.org/web/ Ruangrupa] community in Jakarta, and friends in our networks in [http://tobucil.net Tobucil], Bandung and [http://jatiwangiartfactory.wordpress.com Jatiwangi Art Factory].<br />
<br />
See the full details and schedule in Indonesian on [http://lifepatch.org/Tourdigrade Lifepatch wiki]<br />
<br />
= HLab14 Main-Phase: 13/14. - 25. April =<br />
<br />
HLab14 is organized such that participants are tapped into an active, operating situation to minimize time loss in initial research and mappings etc. Collaboration with local communities who have knowledge and experience of the problems in the field, will guide the participants to focus what can be developed during the research lab phase in a directed manner. With the communities as a facilitators, we can greatly reduce the needed time in defining the problem.<br />
Instead, HLab14 participants will be immersed into the multitude of the situations on site. This design of HackteriaLab allows participants to respond with their own practice to the newly encountered situation and to share know-how to develop a process for solutions and realisations. As it may be, the experience may translate to an piece of artwork, a philosophical discourse, a hacked camera or tutorial to cleanse the river water before using it to wash clothes,<br />
etc.<br />
<br />
== HLab14 Schedule ==<br />
'''Calendar and details see [[HackteriaLab_2014_Schedule]].'''<br />
<br />
= >> Ecological Research Nodes =<br />
[[File:ecologies_yogya.jpg|thumb|300px|right|Different ecologies in and around Yogyakarta - Volcano, Rivers, Forests]]<br />
<br />
Citizen science has long contributed to the health of local communities by making people aware of their environment in the form of oral histories and traditional wisdom. Recently, international open source and maker movements have been actively engaging with the life sciences to focus on the environment. This brought a revival of the traditional knowledge as well as an opportunity for innovation and a model for public participation in science. These activities are becoming influential policy forces, changing how we produce and share knowledge, as an iterative and collective process. Yogyakarta, Indonesia is one of the most active hubs in this movement. The proposed project highlights the interests of the hackteria network to develop policies based on awareness-raising. We believe that awareness is essential for consensus building. <br />
<br />
We expect each of the participants subscribe to at least one topic (Ecologic Research Nodes) and work together with facilitators under three main topics tightly<br />
relating to the daily life of Yogyakarta. They are: 1. [[Biorecovery of Volcanic Soil]], 2. [[Environmental Monitoring of the Rivers in Yogya]], 3. [[Biodiversity conservation in Wonosadi Forest]], together with the focus on [[Open Source Hardware]] and [[DIY & Low-Cost Laboratory Infrastructure]]. The local communities that have been working intensively with the issues with the local people will participate as facilitators within the framework of HLab14. <br />
<br />
=== >> [[Biorecovery of Volcanic Soil]] ===<br />
<br />
The project will be based on Lifepatch's ongoing study of agricultural microbiology for soil bio-recovery of soil altered by volcanic eruptions. Based on this field research, novel policy suggestions will be made on how workshops can raise community awareness, and applied to other ecology management issues. Additionally we will try to develop new [[DIY & Low-Cost Laboratory Infrastructure]] to enable remote monitoring of the environment up on the volcano mountain. Specific ideas are desribed [http://hackteria.org/wiki/DIY_%26_Low-Cost_Laboratory_Infrastructure#Merapi_Volcano_remote_monitoring_system here]<br />
<br />
=== >> [[Environmental Monitoring of the Rivers in Yogya]] ===<br />
<br />
There are three main rivers which pass through the urban areas of Yogyakarta, Code River, Winanga River, and Gajahwng River. Lifepatch in collaboration with many communities have conducted a project called Jogja River Project (JRP) on these rivers since 2011. This project is also part of the Biodesign collaboration with EPFL and will be disseminated in June '14 in Lausanne.<br />
<br />
=== >> [[Biodiversity conservation in Wonosadi Forest]] ===<br />
<br />
Wonosadi is one of the last natural forests in Java. This forest is protected by the local villagers in close collaboration with Green Tech Community. The node aims to document the diversity in the forest, along with narratives and knowledge from the local villagers. During our Field-trip and overnight camping (bring and test your [[HackteriaLab 2014 MobileLabs]]) we have a chance to interact and explore the ideas described [http://hackteria.org/wiki/Field-Trips#FOREST_FIELDTRIP_-_WONOSADI here]<br />
<br />
= >> Participatory Research Nodes =<br />
[[File:Lab-on-a-Bike.jpg|thumb|300px|right|Lab-on-a-Bike: Various collaborations with hackteria.org have been implemented since 2009]]<br />
<br />
=== >> [[Art Practices]] ===<br />
<br />
How can an artistic practice support social innovation and cultural shifts? Various participants will explore methods and formats to include the public in participatory actions, invite the public for discourse during lectures and workshops and present their work throughout the HLab phases.<br />
<br />
=== >> [[Open Source Hardware]], [[DIY & Low-Cost Laboratory Infrastructure]] ===<br />
<br />
How can we set-up a simple DIY laboratory in a low-resource setting or even in the forest without electricity? Which tools and infrastructure we have to make ourselves, how hack custom household devices to use as laboratory equipment, design simple electronics for control and monitoring of biolab protocolls? The Researcher-in-Residence, '''[http://hackteria.org/?p=12 Marc Dusseiller aka dusjagr]''', together with various participants will look into these topics in the preparation phase and go out into the wild for field-testing during the main HLab14. We focus on various projects of OSH for environmental sensing, water monitoring and co-organize local workshops pre and during the HLab14.<br />
<br />
=== >> [[Field-Trips]] ===<br />
<br />
=== >> [[HackteriaLab 2014 MobileLabs]] ===<br />
<br />
= >> Workshopology =<br />
April 16 - 18 @ KKF<br />
<br />
April 19 - 21 @ BPR<br />
<br />
April 21 - 22 @ BPR & surroudnings<br />
<br />
April 21 - 23 @ KKF<br />
<br />
details see : '''[[Workshopology]]'''<br />
<br />
= >> Symposium - Citizen Initiatives in Art & Science @ UGM =<br />
[[File:HLab_logo.png|thumb|300px]]'''<br />
<br />
'''Location'''<br />
in the Auditorium of the Agricultural Faculty in Gadjah Mada University<br />
<br />
'''Date and Time'''<br />
Tuesday, April 15, from 9:00h to 15:30h<br />
<br />
details see @ [[Symposium_-_Citizen_Initiatives_in_Art_%26_Science_@_UGM]]<br />
<br />
= >> Akustikologi - Yogyakarta =<br />
[[Akustikologi]] is a music project that provides a collaborative platform for artists, musicians, scientists and hackers to arrange and improvise musical compositions according to each own disciplines. This project challenges the participants to not use any kinds of electronic amplifiers for a collaborative compositions in order to recall our hearing sensitivity —as we are mechanosensitive beings— amidst our noise-polluted environment. Reserach Phase : 19 - 21 April, Performance Date : April 24<br />
<br />
details see @ [[HLab14_Akustikologi_-_Yogyakarta]]<br />
<br />
= >> Exhibition: 25. - 30. April=<br />
in preparation...<br />
<br />
= HLab14 Participants =<br />
<br />
Dear Participants, please write a few words abouts yourself to introduce you to all the other participants, add some links and add some "Interests" specific to your participation at HLab14 - Yogyakarta @ '''[[HackteriaLab_2014_Participants]]'''<br />
<br />
== HLab14 Info-Kit for Participants ==<br />
<br />
continuous updating, chk '''[[HackteriaLab_2014_-_Info-kit_for_participants]]'''<br />
<br />
= HLab14 Commons =<br />
Open discussion, put your idea and prompted thoughts here @ '''[[HackteriaLab 2014 - Commons]]'''<br />
<br />
= HLab14 Materials =<br />
Please start to put your wishes for available and to-be-ordered materials on '''[[HackteriaLab 2014 - Materials]]'''<br />
<br />
= [[HLab14 Dissemination-Phase: June - Dec]] =<br />
<br />
During the second phase, [[HLab14 Dissemination-Phase: June - Dec]] 2014, a series of Trans-Equatorial Workshops together with our large network of partners we are planning a series of smaller events across Asia, Australia and Europe, in their own environments (workshops, lectures and symposia), to share the experiences and practices from the HackeriaLab.<br />
<br />
= Background =<br />
<br />
== Background of Collaboration ==<br />
Since our participation at [http://hackteria.org/?p=67 Cellsbutton#03 in 2009], we have very actively collaborated with various initiatives in and around Yogyakarta. We also worked together on projects and workshops about [http://hackteria.org/?p=1637 microscopy], [http://lifepatch.org/IB:SC fermentation] and other [http://hackteria.org/?p=1222 playful biological experimentations] across the globe and had active participants from the [http://lifepatch.org/ lifepatch community] joining both [[HackteriaLab 2011 - Romainmotier]] and [[HackteriaLab_2013_-_Bangalore]]. Our collaborations are described on the [http://hackteria.org/?p=1985 hackteria website] and the [http://lifepatch.org/hackteria lifepatch wiki].<br />
<br />
As partners in the Hackteria network, [http://lifepatch.org/ Lifepatch] has been a most active node and contributor in citizen-science and artistic works at the art/sci interface, especially with their award-winning microbial [http://lifepatch.org/IB:SC fermentation project] applied to agriculture and wine-making in Yogyakarta. As a platform for knowledge sharing and artistic exploration, Hackteria constitutes a network of artists and researchers that merge the use of life sciences with artistic interpretations, hacking and do-it-yourself strategies. Since 2010 the network met regularly and gathered in Switzerland in 2010 & 2011, where the Asia-European collaborations have intensified, including co-organization and active participation at HackteriaLab 2013 - Bangalore (IN). [http://hackteria.org/?cat=7 Workshops] within this network have been held in more than 20 countries since 2009.<br />
<br />
==Earlier HackteriaLabs==<br />
<br />
Decriptions about earlier [http://hackteria.org/?cat=167 HackteriaLabs] can be found on the hackteria website<br />
<br />
=== presentation slide by dusjagr ===<br />
{{#widget:Iframe<br />
|url=http://www.slideshare.net/slideshow/embed_code/19946112<br />
|width=476<br />
|height=400<br />
|border=0<br />
}}<br />
<br />
===Short Video by Togar===<br />
{{#widget:Vimeo|id=61235658}}<br />
<br />
== Yogyakarta ==<br />
Yogyakarta (English: /ˌjɒɡjəˈkɑrtə/ or /ˌjoʊɡjəˈkɑrtə/, Malay: [jɔɡjaˈkarta]; also Jogja, Jogjakarta) is a city and the capital of Yogyakarta Special Region in Java, Indonesia. It is renowned as a centre of classical Javanese fine art and culture such as batik, ballet, drama, music, poetry, and puppet shows. Yogyakarta was the Indonesian capital during the Indonesian National Revolution from 1945 to 1949. One of the districts in Yogyakarta, Kotagede, was the capital of Mataram Sultanate between 1575 and 1640. The city is named after the Indian city of Ayodhya from the Ramayana epic. Yogya means 'suitable, fit, proper', and karta, 'prosperous, flourishing' (i.e., 'a city that is fit to prosper'). - taken from [[http://en.wikipedia.org/wiki/Yogyakarta Wikipedia]]<br />
<br />
As a central city of education in Indonesia, Yogyakarta is a destination for students from every location in Indonesia to pursue higher education. Yogyakarta offers high quality of education and affordable daily living cost. These condition made Yogyakarta suitable for wide range creative communities activities.<br />
<br />
=Organizers=<br />
==Host==<br />
HackteriaLab 2014 - Yogyakarta is hosted by lifepatch.org. <br />
<br />
===LIFEPATCH - citizen initiative in art, science and technology===<br />
[[File:LifepatchHQ01.jpg|thumb|300px|right|lifepatch house in Bugisan area]]<br />
lifepatch – citizen initiative in art, science and technology: is an independent community-base organization working in creative and appropriate application in the fields of art, science and technology. It’s an organization run by multi-disciplinary people that reflects the active local creative community and the confluence of academic institutions of higher education in Yogyakarta in Central Java. In its’ activities, lifepatch focused on educative and artistic approaches for the communities by developing appropriate creative and innovative technologies such as biotechnology, digital technology with the spirit of DIY and DIWO culture. lifepatch mission is to aid the development of local human and natural resources by building bridges of domestic and international collaboration platform which give open access for anyone to the sources of the research and development.<br />
<br />
Link: <br />
* http://lifepatch.org<br />
* http://facebook.com/lifepatch<br />
* http://twitter.com/lifepatch_<br />
<br />
==International==<br />
<br />
===Hackteria===<br />
[[File:hackteria_logo2012_green_black.png|thumb|300px|right|link=http://hackteria.org/]]<br />
<br />
Hackteria is a collection of Open Source Biological Art Projects instigated in February 2009 by Andy Gracie, Marc Dusseiller and Yashas Shetty, after collaboration during the Interactivos?09 Garage Science at Medialab Prado in Madrid. The aim of the project is to develop a rich web resource for people interested in or developing<br />
projects that involve DIY bioart, open source software and electronic experimentation. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, write critical and theoretical reflections, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, festival and meetings.Since 2009, Hackteria has conducted workshops in Europe (Switzerland, Slovenia, Norway, Austria, Hungary, Serbia, United Kingdom, Germany) , Asia (India, Indonesia, Taiwan, Hong Kong), Africa (Kenya) and North America (US, Canada).<br />
<br />
Link:<br />
* http://hackteria.org/<br />
<br />
==International Partners==<br />
<br />
Through informal collaborations with our large group of affiliated partners, who will be involved in bringing participants to the HackteriaLab, we are aiming at opportunities, that they bring back the learned experiences and seed similar initiatives of community based art/sci activities. The broad foundation of our network (from India to Slovenia or Nepal to the Netherlands) can thus help redefining cross-cultural collaborations, meaning both crossing economic and cultural borders, as well as disciplinary borders of scientists, activists, educators and artists.<br />
<br />
See the full list of [[HackteriaLab 2014 - International Partners]]<br />
<br />
== Collaborating Local Partners ==<br />
=== Microbiology Laboratory of Agriculture Faculty UGM ===<br />
<br />
[[File:akbar_UGM.JPG|400px|none|Nur Akbar Arofatullah in Microbiology Lab UGM]]<br />
A community of scientist led by Irfan D. Prijambada and Donny Widianto, lecturers at Faculty of Agriculture Gadjah Mada University Yogyakarta. The community is represented by Nur Akbar Arofatullah, also a member of lifepatch, and also several students, have been working in close collaboration with lifepatch members for several years. Several examples of art and science collaboration projects between them are Bio-ethanol fermentation and Jogja River Project.<br />
<br />
* http://faperta.ugm.ac.id/<br />
* http://akbar.blog.ugm.ac.id<br />
<br />
=== Otakatik Creative Workhop ===<br />
[[File:Otakatik Creative Workshop.jpg|400px|none|Otakatik Creative Workshop]]<br />
Otakatik declare themselves as creative community to facilitate and contain their member to learn, express and explore creativity in creating their works. Otakatik engaged in the exploration creations with local materials/ingredients, either waste or non-waste, as well as the development of appropriate technologies with the spirit of Do it Yourself (DIY). Creativity and the desire to seek answers through exploration is the main capital for Otakatik in each development of material processing method or process of work. Otakatik always try to see the limitations that exist as an opportunity to innovate. Otakatik are open to collaborate with anyone from any background. The openess of it, realized from the thoughts, interactions, transfer knowledges in a collaboration which enrich each individual involved.<br />
<br />
* https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816<br />
<br />
=== Green Tech Community ===<br />
[[File:Greentech study and research community.jpg|none|400px|Greentech study and research community Indonesia]]<br />
A community of young people from University Pembangunan Nasional Yogyakarta, focusing in environmental activities. Green Tech and lifepatch has been working in close collaboration in [http://lifepatch.org/JRP Jogja River Project].<br />
<br />
* https://www.facebook.com/pages/Green-Tech-study-and-research-community/223611637710494?ref=br_rs<br />
<br />
=== Bumi Pemuda Rahayu – BPR ===<br />
<br />
Bumi Pemuda Rahayu Arts Centre aims to support a vision of environmental sustainability within the arts on a practical and theoretical level. Architecturally the site itself is built on a model of self-sustainability, using various methods to approach minimum carbon footprint. All the materials used have been chosen for its lowest impact on energy, using recycled materials with the main building itself made from bamboo. All its waste will be recycled or composted, with specially designed human waste recycling plant to generate electrical power. The garden has been planned to be completely edible. <br />
<br />
Aside from its architectural and environmental focus the other important aim is to support the local community. People from the local area were invited to be an integral part of this centre and have already been employed to help build the structures, including the main bamboo multipurpose hall. They have been given training to acquire new skills from master bamboo builders and expert architects and landscape designers. <br />
<br />
Bumi Pemuda Rahayu is located in the Village of Dlingo and participants of Hackteria Lab are asked to respect the local rules and culture. BPR does not support the use of plastic bags, men and woman must not share rooms unless married, smoking is only allowed at the front of the centre and alcohol is prohibited.<br />
<br />
===Kedai Kebun Forum ===<br />
<br />
Kedai Kebun Forum is an alternative art space in Yogyakarta, managed independently by artists and consisting of a gallery, performance space, ‘HALTE’ a text learning media in art, bookstore and restaurant. Kedai Kebun Forum is a small community established with the purpose of providing an arena of learning and studying, in the context of developing sensibilities to all phenomena of social transformation through art. All activities of Kedai Kebun Forum are supported by its extraordinary restaurant.<br />
<br />
* http://kedaikebun.com<br />
<br />
=== W.A.F.T. ===<br />
Waft is an institution engaged in the development of interdisciplinary art in Surabaya. It was founded by a group of local practitioners with various backgrounds of event organizing and art movement. Since the establishment, Waft emphasizes on documentation as a basic idea of sharing information within the scope of art. Waft takes role as educative yet innovative media of dynamic art sphere.<br />
<br />
* http://waft-lab.com<br />
<br />
== Venues ==<br />
<br />
=== Lifepatch Lab Bugisan ===<br />
<br />
[[File:LifepatchHQ01.jpg|400px]]<br />
<br />
Adress: Jl. Bugisan Selatan, Gumuk Indah RT 13 RW 36, Yogyakarta (Belakang SMKI) 55182<br />
<br />
=== KKF Temporary Lab ===<br />
<br />
[[File:kkf_space_outside.jpg|400px]]<br />
<br />
We are happy to have access to the performance space of the KKF, to set up our temporary lab through-out the HackteriaLab. It will serve as a production studio for the participants, as a public meeting-place for secular visitors and an open space for workshops and community engagements. <br />
<br />
Kedai Kebun Forum is an alternative art space in Yogyakarta, managed independently by artists and consisting of a gallery, performance space, ‘HALTE’ a text learning media in art, bookstore and restaurant. Kedai Kebun Forum is a small community established with the purpose of providing an arena of learning and studying, in the context of developing sensibilities to all phenomena of social transformation through art. All activities of Kedai Kebun Forum are supported by its extraordinary restaurant.<br />
<br />
http://kedaikebun.com<br />
<br />
=== BPR Retreat ===<br />
<br />
[[File:BPR_mainHal.JPG|400px]]<br />
<br />
= Application Dossiers and Further Documents =<br />
<br />
During the recent months the team of international organisations has applied to various sources for funding, some of them have been rejected, others accepted and some of them are still in progress. Please find the most recent dossiers and appended documents here for downlaod:<br />
<br />
<br />
* Press and Media Overview, Hackteria & lifepatch: [[File:HackteriaLab2014_PressOverview_Appendix1.pdf]]<br />
* Detailed descriptions of all partners: [[File:HackteriaLab2014_Partners_Appendix2.pdf]]<br />
<br />
<br />
= Partners and Supporters =<br />
<br />
not complete yet...<br />
<br />
'''Organizer'''<br />
<br />
[[File:hackteria_logo2012_green_black.png|480px|link=http://hackteria.org/]]<br />
<br />
[[File:lifepatch_black.png|480px|link=http://www.lifepatch.org/]]<br />
<br />
'''Indonesia Local Partners'''<br />
<br />
[[File:Ugm-logoCompact.png|180px|link=http://faperta.ugm.ac.id/]]<br />
[[File:BPRlogo7.png|180px|link=http://bumipemudarahayu.org]]<br />
[[File:Header kedai.jpg|180px|link=http://kedaikebun.com/]]<br />
[[File:GreenTec.jpg|180px|link=https://www.facebook.com/pages/Green-Tech-study-and-research-community/223611637710494?ref=br_rs]]<br />
[[File:Otakatik creative workshop.jpg|180px|link=https://www.facebook.com/pages/Otakatik-creative-workshop/284578538243816]]<br />
[[File:Waft-logo.png|180px|link=http://waft-lab.com]][[File:Hypen.png|180px|link=http://www.hyphen.web.id]]<br />
<br />
'''International Partners'''<br />
<br />
[[File:biodesign_banner.png.png|180px|link=http://www.biodesign.cc/]]<br />
[[File:SBS_eng_bw_rgb.jpg|180px|link=http://www.bioartsociety.fi/]]<br />
[[File:kapelica_logo.jpg|180px|link=http://www.kapelica.org/]]<br />
[[File:BioartTWlogo.png|180px|link=http://bioart.tw/]]<br />
[[File:UR logo.jpg|180px|link=http://ur-institute.org/]]<br />
<br />
'''Supporters'''<br />
<br />
The Swiss participation is partially funded through Pro Helvetia, Swiss Arts Council.<br />
<br />
[[File:ProH_web.jpg|180px|link=http://www.prohelvetia.ch/]]<br />
<br />
The general activities of Hackteria are partially funded my Migros Cultural Percentage.<br />
<br />
[[File:migros_logo.jpg|none|180px|link=http://www.kulturprozent.ch/]]<br />
<br />
[http://www.biodesign.cc/ BIO-DESIGN for the REAL WORLD] is supported by the SEED grant from the Cooperation and Development Center at [http://www.epfl.ch/ EPFL].<br />
<br />
[[File:EPFL_LOGO_web.png|180px|link=http://www.epfl.ch/]]<br />
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Hackteria Workshops at [http://bumipemudarahayu.org BPR Center] of Retreat and Research with Austrlia and Nepal participants are supported by Ford Foundation.<br />
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[[File:Brandmark.gif|180px|link=http://www.fordfoundation.org]]<br />
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The main activities of HackteriaLab 2014 are supported by Arts Collabortoary<br />
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[[File:arts_coll_weg.jpg|120px|link=http://www.artscollaboratory.org/]]<br />
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More financial supporters are still to be confirmed.</div>Halfjavanese